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How could Neil Diamond have been so right and so wrong at the same time?
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Direct Theatre and who is in control, the existing power structure or the (unpredictable) masses? Should Tiananmen Square, the Berlin Wall, King Zulu and Spring Break at Daytona be compared without some differentiation made regarding the personal involvement and stakes for those involved?
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A conflicted look at Ric Knowles’ book _Reading the Material Theatre_. An important contribution to the academic arsenal but with some major omissions and biases. A specific look at his chapter on The Wooster Group is central to the post.
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[Artaud] wished to vivisect the antithesis apart from its thesis in a Hegelian nightmare-scenario and affect his audience/participant directly through a pure experience – to rip a hole through representational space-time through pure presence in all its spiritual transcendent ‘pataphysical glory.
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Drifting impressions of Front Street activities near St. Lawrence Market.
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I read Tracy Davis’ Actresses as Working Women at the same time as Marx’s Das Kapital and Genet’s The Balcony. It should be no surprise, then, that the first three chapters of Davis’ book had everything to do with value, exchange value, human labour and commodities while the final two chapters were dominated by thinly
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Must see video for Performance and Technology
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Dave’s music.
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Intro, Xbox Live and a cool link.
The One True Dave 